Hi De Hi De Ho |
Hi De Hi De Ho |
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Description
Description
In that wistful, screwball age that was the Thirties, one man, practically single-handed, launched an era of musical nonsense that had the whole nation humming bits of rhythmic fol-de-rol.
It was Cab Calloway, the Hi-De-Ho man in cream colored tails who gyrated to the point of actually flying while leading his band, and who sang slightly insane ditties (as well as the leading hit songs of the day) in a remarkably rich and resonant baritone. The Cab was one of that group of leaders of the 1930’s who, although playing no musical instrument, collected a fine band and a completely personal style.
In this album, Cab has freshly recorded a dozen of his biggest hits of former years, taking full advantage of the most modern high fidelity recording techniques. In so many ways Cab symbolized that whole era of “The Jumpin’ Jive” when people needed something to “make you nine feet tall when you’re four feet five….”.
Excerpt from original 1960 sleeve notes by Dom Cerulli (co-editor of The Jazz Word)
[[Release Description]]In that wistful, screwball age that was the Thirties, one man, practically single-handed, launched an era of musical nonsense that had the whole nation humming bits of rhythmic fol-de-rol.
It was Cab Calloway, the Hi-De-Ho man in cream colored tails who gyrated to the point of actually flying while leading his band, and who sang slightly insane ditties (as well as the leading hit songs of the day) in a remarkably rich and resonant baritone. The Cab was one of that group of leaders of the 1930’s who, although playing no musical instrument, collected a fine band and a completely personal style.
In this album, Cab has freshly recorded a dozen of his biggest hits of former years, taking full advantage of the most modern high fidelity recording techniques. In so many ways Cab symbolized that whole era of “The Jumpin’ Jive” when people needed something to “make you nine feet tall when you’re four feet five….”.
Excerpt from original 1960 sleeve notes by Dom Cerulli (co-editor of The Jazz Word)
• Produced by: Joe Reisman
• Recorded in RCA Victor’s Studio A,New York City
• Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London
- Genre: BLUES
- Format Detail: LP Black
- Handling Note: **Please allow an additional 5 business days for this item's shipment.**
- Format: Vinyl
- Released: 7/14/16
- Internal ID: JIT
Condition Ratings & Details
Condition Ratings & Details
NOTE: Every title includes condition ratings. The first rating pertains to the physical media, and the second grade pertains to the sleeve.
NOTE: Images may not be exact. Please refer to the description to determine whether the images are Actual Photos or Photos Not Actual. New records will likely use generic web photos to represent the product.
Condition Ratings
- MINT (M): Perfect, brand new, unplayed.
- Near Mint (NM): Like new, barely played, will play perfectly.
- Excellent (EX): Very close to near mint, with minor cosmetic wear. Will play perfectly.
- Very Good Plus (VG+): Light cosmetic blemishes that do not affect play. Close to perfect playback.
- Very Good (VG): Some light marks that may cause minor noise during playback. Still enjoyable and plays well.
- Good Plus (G+): Noticeable noise during playback. Only listed if of collector value. Not ideal for listening.
Sleeve Details
- PHOTOS ACTUAL: The photo is an original image of the exact item you will receive.
- PHOTOS NOT ACTUAL: The photo is sourced from the web and may differ slightly from the actual item.
