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Peggy Lee

The Man I Love |

The Man I Love |

Regular price $ 38.99 USD
Regular price $ 38.99 USD Sale price $ 38.99 USD
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5060149621516 | FMLHHJ-K14P-R9

Description

Around the same time that Peggy Lee decamped her long time label home, Capitol Records, for what turned out to be a five-year sojourn at Decca Records in 1952, an apparently washed-up Frank Sinatra signed with Capitol. In 1957, when Lee returned to Capitol, Sinatra had re-established himself as a major recording artist. Meanwhile, the recording world had changed with the emergence of the 12-inch LP as an industry standard. The Man I Love, Lee’s first recording for Capitol in the format after re-signing, matched her with the company’s flagship artist, Sinatra, who was credited as the album’s conductor, his name printed on the front cover in the same size as Lee’s. A year earlier, Sinatra had conducted his Tone Poems of Color album for Capitol, and though the singer did not read music and relied on arranger Nelson Riddle, he again proved himself able to make his intentions clear in working with Lee.

The Man I Love is a concept album in the manner pioneered by Sinatra at Capitol, a group of 12 songs chosen to express a single theme. That theme, as the title suggests, is a woman’s unwavering devotion to a man, as expressed in songs often composed by gilt-edged songwriters (Gershwin, Arlen, Rodgers, Kern, etc.) and taken from Broadway shows. That devotion is not starry eyed, however; in several songs, Lee acknowledges the flaws in her paramour (e.g., “Something Wonderful”), but then explains them away and reconfirms her commitment. In fact, toward the end she worries what she would do “If I Should Lose You” before declaring “There Is No Greater Love” and finally idealizing the long-term relationship in the closing song, “The Folks Who Live on the Hill.” It wouldn’t be surprising to find that Sinatra directed Lee to sing like one of his favorite singers, Billie Holiday, since she often does, laying back in understated vocal performances to reinforce the near-victimhood of the woman depicted in the songs. Riddle supports these interpretations with lush string charts that hint of dark feelings. The result is a superb pairing of singer, conductor, and arranger on an album that re-conceives Lee as a Capitol recording artist in the Sinatra concept album mold. by William Ruhlman.

  • Mono Recording
  • 180gram Lpx1 standard sleeve
PPAN T864 -Artist-Peggy Lee
  • Genre: JAZZ
  • Format Detail: LP Black
  • Handling Note: **Please allow an additional 5 business days for this item's shipment.**
  • Format: Vinyl
  • Released: 7/25/18
  • Internal ID: JIT

Condition Ratings & Details

NOTE: Every title includes condition ratings. The first rating pertains to the physical media, and the second grade pertains to the sleeve.

NOTE: Images may not be exact. Please refer to the description to determine whether the images are Actual Photos or Photos Not Actual. New records will likely use generic web photos to represent the product.

Condition Ratings

  • MINT (M): Perfect, brand new, unplayed.
  • Near Mint (NM): Like new, barely played, will play perfectly.
  • Excellent (EX): Very close to near mint, with minor cosmetic wear. Will play perfectly.
  • Very Good Plus (VG+): Light cosmetic blemishes that do not affect play. Close to perfect playback.
  • Very Good (VG): Some light marks that may cause minor noise during playback. Still enjoyable and plays well.
  • Good Plus (G+): Noticeable noise during playback. Only listed if of collector value. Not ideal for listening.

Sleeve Details

  • PHOTOS ACTUAL: The photo is an original image of the exact item you will receive.
  • PHOTOS NOT ACTUAL: The photo is sourced from the web and may differ slightly from the actual item.
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