Nick Luscombe - Tokyo Dreaming (VINYL 2x12" WeWantSounds) | NEW Mint (M) Mint (M)
Nick Luscombe - Tokyo Dreaming (VINYL 2x12" WeWantSounds) | NEW Mint (M) Mint (M)
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Description
Description
Artist: Various
Title: Tokyo Dreaming
Label: WeWantSounds
Catalog Number: WWSLP40
Format: 2x12inch Vinyl
Release Date: 12/11/20
Features: Repress!
Styles: Pop, Jazz
Tracklist:
A1: Ryuichi Sakamoto - The End Of Asia
A2: Mariah - Shinzo No Tobira
A3: Chika Asamoto - Self Control
A4: Jun Fukamachi - Treasure Hunter
B1: Yumi Murata - Watashi No Bus
B2: Hitomi 'penny' Tohyama - Rainy Driver
B3: Yumi Seino - La Maison Est En Ruine
B4: Kyoko Furuya - Tokyo
C1: Kazue Itoh - Chinatown Rose
C2: Kazumi Watanabe - Tokyo Joe
C3: Juicy Fruits - Jenie Gets Amgry
C4: Haruo Chikada & Vibra-tones - Soul Life
D1: Colored Music - Heartbeat
D2: Akira Sakata - Room
D3: Yasuaki Shimizu - Semi Tori No Hi
D4: Shigeo Sekito - The Word II
Repress!
A MAJOR EXPLORATION OF TOKYO'S CUTTING EDGE 80S SOUND THROUGH THE MUSIC OF CULT JAPANESE LABEL NIPPON COLUMBIA AND ITS BETTER DAYS IMPRINT, SELECTED BY BRITISH RADIO PRESENTER AND DJ NICK LUSCOMBE.
‘Tokyo Dreaming’ is a superb selection picked from the highly collectible Nippon Columbia label and its Better Days sub-label. For the occasion, we’ve teamed up with journalist and Japanese music expert Nick Luscombe who was granted rare access to the much-guarded Nippon Columbia's vaults for a masterful selection encapsulating the fascinating sound of Tokyo in the late 70s and 80s. The selection mixes electro, synth-pop, funk and ambient and features such artists as Ryuichi Sakamoto, Mariah, Shigeo Sekito, Juicy Fruits, Hitomi "Penny" Tohyama and Yumi Murata. The tracklist includes many sought-after rarities and hidden gems which have never been released outside of Japan and the set has been newly remastered by Nippon Columbia. The album has been designed by famed London-based designer Optigram and is annotated by Nick.
Nippon Columbia, one of Japan's oldest music labels is also one of its most collectible thanks to its sub-label Better Days which, in the late 70s, became a hotbed for Tokyo's new generation of pop artists eager to experiment with ambient, electro and funk. Armed with a string of new Japanese-made synthesizers and drum machines that would soon take the world by storm, they made cutting-edge music, which has since become highly sought-after by a new generation of Japanese music lovers. Nick Luscombe, who has long been a leading advocate of Japanese music from this era, has handpicked a selection of some of the sharpest music released on these labels at the time.
According to Nick, “Tokyo Dreaming is a look back to an incredible era of Japanese music, that still sounds and feels like the future. It was a moment when brand-new music tech from Japan helped forge new ideas and experiments that permeated pop, soul and jazz and helped create new forms of music including electro and techno. The perfect meeting point that would help create a new soundtrack for modern living.“
?The selection starts with "The End of Asia" by Ryuichi Sakamoto from his 1978 ground-breaking debut "Thousand Knives Of" (reissued last year by Wewantsounds). The track became a staple of Sakamoto's and YMO's live shows and was even re-recorded by the group for their 1980 album 'X Multiplies'. The track is followed by Mariah's cult Armenian folk flavoured synth pop classic "Shinzo No Tobira" (1983), which first spread outside of Japan when the Scottish DJ duo Optimo started playing the track regularly at their shows.
?Chika Asamoto's "Self Control" (1988) and Jun Fukamachi's "Treasure Hunter" (1985) are perfect songs in the synth-pop canon, while Yumi Murata's rendition of Akiko Yano's "Watashi No Bus" and Hitomi "Penny" Tohyama's "Rainy Driver" both from 1981, move closer towards the slicker, funkier sound of City Pop.
?'Tokyo Dreaming' superbly showcases the breadth of 80s Japanese music and the way electro pop was a playing ground for musicians to experiment with many styles, as showcased by Akira Sakata's dub-enfused "Room" from 1980, Kazumi Watanabe's discoid "Tokyo Joe" (1980) and Juicy Fruits' "kawai" robotic Techno pop song "Jenie Gets Angry".
?The selection flows effortlessly between many shades of synth and ends with two cult classics in the form of Yasuaki Shimizu's "Semi Tori No Hi" and Shigeo Sekito's ambient-jazz masterpiece "The Word II" from his highly sought-after album "Kareinaru Electone (The Word) Vol.2" which, although recorded in 1975, perfectly announces the synth revolution to come. Tokyo Dreaming showcases the groundbreaking sounds of a city turned giant sonic lab which was restlessly inventing the music of the future.
Nick Luscombe is a highly respected and in-demand music influencer who discovers great music from all over the world and shares it internationally through his many radio shows and DJ sets. He has been in charge of music selection for various radio programs since 1999, and from 2010 - 2019, was the DJ for the popular BBC Radio music program "Late Junction”. He has also curated and presented music shows for Monocle and British Airways radio stations. He has worked as both Chief Music Editor at iTunes and Director of Music at London’s Institute of Contemporary Art, and is the founder of MSCTY.
- Condition: NEW
- Sleeve Condition: Mint (M)
- Media Condition: Mint (M)
- Format: Vinyl
- Internal ID: 3700604729020
- Genre: SYNTH-POP
- Label: Wewantsounds
- Catalog Number: WWSLP40
- Format Type: 2x12"
- Released: 12/11/2020
Condition Ratings & Details
Condition Ratings & Details
NOTE: Every title includes condition ratings. The first rating pertains to the physical media, and the second grade pertains to the sleeve.
NOTE: Images may not be exact. Please refer to the description to determine whether the images are Actual Photos or Photos Not Actual. New records will likely use generic web photos to represent the product.
Condition Ratings
- MINT (M): Perfect, brand new, unplayed.
- Near Mint (NM): Like new, barely played, will play perfectly.
- Excellent (EX): Very close to near mint, with minor cosmetic wear. Will play perfectly.
- Very Good Plus (VG+): Light cosmetic blemishes that do not affect play. Close to perfect playback.
- Very Good (VG): Some light marks that may cause minor noise during playback. Still enjoyable and plays well.
- Good Plus (G+): Noticeable noise during playback. Only listed if of collector value. Not ideal for listening.
Sleeve Details
- PHOTOS ACTUAL: The photo is an original image of the exact item you will receive.
- PHOTOS NOT ACTUAL: The photo is sourced from the web and may differ slightly from the actual item.
