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Bonny Doon - Bonny Doon (Vinyl) |
Bonny Doon - Bonny Doon (Vinyl) |
Regular price
$ 16.90 USD
Regular price
$ 16.90 USD
Sale price
$ 16.90 USD
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Description
Description
BONNY DOON's mastery of restraint and melodically vulnerable songwriting comes into its own on their self-titled debut full length. Its essence is floating, folk-ish rock that summons the tossed-off grandeur of early SMOG or the SILVER JEWS boombox tapes, and the dead-eyed poignancy of NEIL YOUNG’s gloriously unhinged Ditch Trilogy. Though it took years of patient work, the band has finally succeeded in capturing the complete spirit of BONNY DOON, creating a breathing web of sound that feels equally sublime and accidental. Songwriters Bill Lennox and Bobby Colombo had been collaborating together low-key for a year and a half when they invited drummer Jake Kmiecik and bassist Joshua Brooks, both just 20 at the time, over to their studio space to flesh out some songs in early 2014. All four were active in Detroit’s fertile punk scene, playing at the time in TYVEK, GROWWING PAINS, and PRC. The familiar approaches of punk did not feel right however, and the songs initially felt stiff and lifeless. It wasn’t until the four tried to play as quietly as possible, with songs shambling along like a car with wobbly wheels, that the band was born. Deconstructing their sound allowed the music to unravel into something open-ended and beautiful, making space for Lennox’s effortless and subtly smart lyricism. Natural progressions were embraced and Bonny Doon began playing shows around Detroit in the same loose and flowing manner as their sound was evolving. Recordings intended for a demo were instead released as a debut 7” on Salinas in January of 2015, and four track recordings from a band retreat in Northern Michigan followed as a tape, “Classical Days and Jazzy Nights” (Life Like), in March of the same year. When the time came to record, the same ethos of fluidity was applied. The band began tracking on a reel-to-reel tape machine with longtime friend and collaborator FRED THOMAS (Polyvinyl Records, SATURDAY LOOKS GOOD TO ME) at his studio in Ann Arbor, then spent months meticul
- Format Detail: LP
- Format: Vinyl
- Label: Salinas Records
- Catalog Number: LP-SAL-079
Condition Ratings & Details
Condition Ratings & Details
NOTE: Every title includes condition ratings. The first rating pertains to the physical media, and the second grade pertains to the sleeve.
NOTE: Images may not be exact. Please refer to the description to determine whether the images are Actual Photos or Photos Not Actual. New records will likely use generic web photos to represent the product.
Condition Ratings
- MINT (M): Perfect, brand new, unplayed.
- Near Mint (NM): Like new, barely played, will play perfectly.
- Excellent (EX): Very close to near mint, with minor cosmetic wear. Will play perfectly.
- Very Good Plus (VG+): Light cosmetic blemishes that do not affect play. Close to perfect playback.
- Very Good (VG): Some light marks that may cause minor noise during playback. Still enjoyable and plays well.
- Good Plus (G+): Noticeable noise during playback. Only listed if of collector value. Not ideal for listening.
Sleeve Details
- PHOTOS ACTUAL: The photo is an original image of the exact item you will receive.
- PHOTOS NOT ACTUAL: The photo is sourced from the web and may differ slightly from the actual item.
