Dreamsville |
Dreamsville |
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Description
Description
Vocalist Stacey Kent may or may not be “the greatest ballad singer in half a century,” as her PR claims, but her straightforward renditions of these by-request ballads are not at all generic. What makes them consistently delightful is her unique sound and delivery. There’s a certain brassiness, a trumpet-like pointedness, in her voice, as well as a host of endearing idiosyncrasies. Kent knows how to make every tune fit her own musical persona.. Dreamsville includes a number of seldom-heard gems, particularly “You Are There” by Johnny Mandel and Dave Frishberg, “You’re Looking at Me” by Bobby Troup, and the ever-stunning title track by Henry Mancini. She also presents perennial favorites like “Polka Dots and Moonbeams” and “Thanks for the Memory” (the latter not exactly a ballad). And although this is Kent’s hour all the way, her band provides expert backing and more than a few surprises.
The singer’s husband, Jim Tomlinson, takes a break from tenor sax to play a sumptuous clarinet solo on “Polka Dots.” And in the midst of Rodgers & Hart’s “Little Girl Blue,” pianist David Newton, bassist Simon Thorpe, and drummer Jasper Kviberg fall away, entering again only after Tomlinson and Colin Oxley perform a hushed tenor/guitar duet chorus.
[[Release Description]]Vocalist Stacey Kent may or may not be “the greatest ballad singer in half a century,” as her PR claims, but her straightforward renditions of these by-request ballads are not at all generic. What makes them consistently delightful is her unique sound and delivery. There’s a certain brassiness, a trumpet-like pointedness, in her voice, as well as a host of endearing idiosyncrasies. Kent knows how to make every tune fit her own musical persona.. Dreamsville includes a number of seldom-heard gems, particularly “You Are There” by Johnny Mandel and Dave Frishberg, “You’re Looking at Me” by Bobby Troup, and the ever-stunning title track by Henry Mancini. She also presents perennial favorites like “Polka Dots and Moonbeams” and “Thanks for the Memory” (the latter not exactly a ballad). And although this is Kent’s hour all the way, her band provides expert backing and more than a few surprises.
The singer’s husband, Jim Tomlinson, takes a break from tenor sax to play a sumptuous clarinet solo on “Polka Dots.” And in the midst of Rodgers & Hart’s “Little Girl Blue,” pianist David Newton, bassist Simon Thorpe, and drummer Jasper Kviberg fall away, entering again only after Tomlinson and Colin Oxley perform a hushed tenor/guitar duet chorus.
• Produced by: Jim Tomlinson
• Recorded at: Curtis Schwartz Studios, Ardingly, England 19th to 21st June 2000
• Re-mastering by: Ray Staff
- Genre: JAZZ
- Format Detail: LP Black
- Handling Note: **Please allow an additional 5 business days for this item's shipment.**
- Format: Vinyl
- Released: 7/14/16
- Internal ID: JIT
Condition Ratings & Details
Condition Ratings & Details
NOTE: Every title includes condition ratings. The first rating pertains to the physical media, and the second grade pertains to the sleeve.
NOTE: Images may not be exact. Please refer to the description to determine whether the images are Actual Photos or Photos Not Actual. New records will likely use generic web photos to represent the product.
Condition Ratings
- MINT (M): Perfect, brand new, unplayed.
- Near Mint (NM): Like new, barely played, will play perfectly.
- Excellent (EX): Very close to near mint, with minor cosmetic wear. Will play perfectly.
- Very Good Plus (VG+): Light cosmetic blemishes that do not affect play. Close to perfect playback.
- Very Good (VG): Some light marks that may cause minor noise during playback. Still enjoyable and plays well.
- Good Plus (G+): Noticeable noise during playback. Only listed if of collector value. Not ideal for listening.
Sleeve Details
- PHOTOS ACTUAL: The photo is an original image of the exact item you will receive.
- PHOTOS NOT ACTUAL: The photo is sourced from the web and may differ slightly from the actual item.
