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Fulsom, Lowell - In A Heavy Bag (Vinyl) |
Fulsom, Lowell - In A Heavy Bag (Vinyl) |
Regular price
$ 23.90 USD
Regular price
$ 23.90 USD
Sale price
$ 23.90 USD
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Description
Description
What’s in a name? In Lowell Fulson’s case, plenty! During his long and storied career he recorded under his own name as well as Lowell Fullsom and Lowell Fulsom. Done so for business reasons, there was no hiding his true identity once he began to sing and play. An Oklahoma native, Fulson grew up with equal doses of Bob Wills and Texas blues and soon became the leading proponent of the West Coast blues sound. A triple threat as a singer/writer/guitar player, Fulson recorded for many labels, notably Swing Time, Chess/Checker, Kent and Rounder. His numerous hits included “Reconsider Baby,” “Lonesome Christmas,” “Tramp” (famously covered by Carla and Rufus Thomas), “Three O’Clock Blues” and “Everyday I Have The Blues.” His influence on his peers and subsequent generations of musicians is incalculable.Upon signing with Chess Records in 1954, Fulson recorded “Reconsider Baby” under the direction of Stan Lewis in Dallas, Texas. One of the horn players on the session, saxophonist David “Fathead” Newman, became a major star in his own right. Though the hits temporarily dried up in the latter part of his Chess/Checker career, a move to Kent Records in 1965 sparked a chart resurgence. Hitting in rapid succession with “Black Nights,” “Tramp,” “Make a Little Love” and “I’m a Drifter,” Fulson firmly reestablished his dominance of the genre, winning over a new generation of fans coming to the blues through the Rolling Stones, John Mayall and the Bluesbreakers, Cream and other blues rock acolytes. Taking a break from Kent, Fulson reunited with Lewis to record a new album, In A Heavy Bag, as “Lowell Fulsom.” Released on Lewis’ Shreveport, Louisiana-based Jewel Records, it is heavy, indeed! Album opener “Look at You Baby” throws out sharp, piercing leads that would make Albert Collins shudder. Right on its heels is a wickedly salacious cover of the Beatles “Why Don’t We Do It In The Road.” The guitar tones on “Don’t Destroy Me” percolate with such deep distortion that it surely sh
- Format Detail: LP
- Format: Vinyl
- Label: Sundazed Music, Inc.
- Catalog Number: LP-SUND-5207
Condition Ratings & Details
Condition Ratings & Details
NOTE: Every title includes condition ratings. The first rating pertains to the physical media, and the second grade pertains to the sleeve.
NOTE: Images may not be exact. Please refer to the description to determine whether the images are Actual Photos or Photos Not Actual. New records will likely use generic web photos to represent the product.
Condition Ratings
- MINT (M): Perfect, brand new, unplayed.
- Near Mint (NM): Like new, barely played, will play perfectly.
- Excellent (EX): Very close to near mint, with minor cosmetic wear. Will play perfectly.
- Very Good Plus (VG+): Light cosmetic blemishes that do not affect play. Close to perfect playback.
- Very Good (VG): Some light marks that may cause minor noise during playback. Still enjoyable and plays well.
- Good Plus (G+): Noticeable noise during playback. Only listed if of collector value. Not ideal for listening.
Sleeve Details
- PHOTOS ACTUAL: The photo is an original image of the exact item you will receive.
- PHOTOS NOT ACTUAL: The photo is sourced from the web and may differ slightly from the actual item.
