The Blackcoat'S Daughter Original Picture Score |
The Blackcoat'S Daughter Original Picture Score |
Couldn't load pickup availability
Description
Description
Originally titled FEBRUARY, Osgood Perkins’ debut film was a festival hit in 2015 and has now been picked up for wider distribution by A24 under a new title, THE BLACKCOAT’S DAUGHTER. The film is a bleakly desolate slow burn, harkening back to such classics as ROSEMARY’S BABY & LET’S SCARE JESSICA TO DEATH with its brooding atmosphere and emphasis on perpetual unease and dread rather than jump scares. It’s a remarkable debut, signaling the arrival of a real talent.
The soundtrack was written by Elvis Perkins (Osgood’s younger brother, who released the critically acclaimed albums ASH WEDNESDAY & DEARLAND). Here he has created a dark eerie masterpiece that fuses classic 1970s horror soundtrack tropes with his traditional folk roots and jazz infused inflections of Angelo Badalamenti. Forgoing synth work for traditional instruments and an experimental atonal vibe, its beguiling, otherworldly, and not of its time, which is exactly why it sounds so vital right now. This soundtrack is a rare beast indeed, uninterested in instant gratification and providing an easy one shot listen; this is a score to be savoured and poured over many times.
[[Release Description]]Originally titled FEBRUARY, Osgood Perkins’ debut film was a festival hit in 2015 and has now been picked up for wider distribution by A24 under a new title, THE BLACKCOAT’S DAUGHTER. The film is a bleakly desolate slow burn, harkening back to such classics as ROSEMARY’S BABY & LET’S SCARE JESSICA TO DEATH with its brooding atmosphere and emphasis on perpetual unease and dread rather than jump scares. It’s a remarkable debut, signaling the arrival of a real talent.
The soundtrack was written by Elvis Perkins (Osgood’s younger brother, who released the critically acclaimed albums ASH WEDNESDAY & DEARLAND). Here he has created a dark eerie masterpiece that fuses classic 1970s horror soundtrack tropes with his traditional folk roots and jazz infused inflections of Angelo Badalamenti. Forgoing synth work for traditional instruments and an experimental atonal vibe, its beguiling, otherworldly, and not of its time, which is exactly why it sounds so vital right now. This soundtrack is a rare beast indeed, uninterested in instant gratification and providing an easy one shot listen; this is a score to be savoured and poured over many times.
• Artwork by Jay Shaw
• 180 Gram Black Vinyl limited to 200 copies
• Includes download card
- Genre: SOUNDTRACK
- Format Detail: LP Black
- Handling Note: **Please allow an additional 5 business days for this item's shipment.**
- Format: Vinyl
- Released: 7/11/17
- Internal ID: JIT
Condition Ratings & Details
Condition Ratings & Details
NOTE: Every title includes condition ratings. The first rating pertains to the physical media, and the second grade pertains to the sleeve.
NOTE: Images may not be exact. Please refer to the description to determine whether the images are Actual Photos or Photos Not Actual. New records will likely use generic web photos to represent the product.
Condition Ratings
- MINT (M): Perfect, brand new, unplayed.
- Near Mint (NM): Like new, barely played, will play perfectly.
- Excellent (EX): Very close to near mint, with minor cosmetic wear. Will play perfectly.
- Very Good Plus (VG+): Light cosmetic blemishes that do not affect play. Close to perfect playback.
- Very Good (VG): Some light marks that may cause minor noise during playback. Still enjoyable and plays well.
- Good Plus (G+): Noticeable noise during playback. Only listed if of collector value. Not ideal for listening.
Sleeve Details
- PHOTOS ACTUAL: The photo is an original image of the exact item you will receive.
- PHOTOS NOT ACTUAL: The photo is sourced from the web and may differ slightly from the actual item.
