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Thomas, Pat

Thomas, Pat - Coming Home (CD) | Mint (M) Mint (M)

Thomas, Pat - Coming Home (CD) | Mint (M) Mint (M)

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Variant
730003314728 | FSCDJU-1R0E-KI

Description

Ghanaian highlife master and “The Golden Voice Of Africa”, Pat Thomas, returns with his first full career retrospective on Strut this Autumn, covering his late ‘60s big band highlife recordings through to the “burger highlife” movement of the early ‘80s. Growing up with music around him (“my uncle, King Onyina, was an important highlife musician”), Thomas was inspired to become a singer after hearing vocalist Joss Aikins: “He sang with Broadway Dance Band and Decca in Ghana chose him to sing with any group that came into their studios.” When a new incarnation of Broadway Dance Band was created in ‘67, led by Ebo Taylor, Thomas received his first big break. “Ebo started to write new songs. I added the lyrics and sang them and it worked well.” The partnership with Taylor would become one of the enduring forces in Ghanaian music during the ‘70s, creating a fresh, progressive new highlife sound. They played with the Blue Monks band before, in 1974, forming Sweet Beans with the backing of Ghana’s Cocoa Marketing Board: “The album, ‘False Lover’, was the first under my own name and my first for Gapophone,” Pat reflects. “Reggae was “on” at that time - Jimmy Cliff was the guy - so I tried reggae fusions and brought in some soul.” The album established Thomas across Ghana. Sweet Beans disbanded but the musicians stayed together as Marijata. “The guys initially used Jewel Ackah as their vocalist but they involved me and I re-vocalled the album. This became the ‘Pat Thomas Introduces Marijata’ LP. At that time, I would go to George Prah at Gapophone to ask for money and he would say, ‘if you want me to pay you, go and write a song!’ So, tracks like ‘Coming Home’ came about that way, written on the spot.” A second Marijata album followed before a damaging coup in Ghana in 1979. “Jerry Rawlings’ “house-cleaning” was designed to stop corruption but it seriously damaged our country’s music culture.” Thomas left for Berlin and stayed true to his highlife roots, becoming the first
  • Media Condition: Mint (M)
  • Sleeve Condition: Mint (M)
  • Format Detail: 2CD Jewel Case with 24pp booklet
  • Format: CD
  • Label: Strut
  • Catalog Number: CD-STRUT-147

Condition Ratings & Details

NOTE: Every title includes condition ratings. The first rating pertains to the physical media, and the second grade pertains to the sleeve.

NOTE: Images may not be exact. Please refer to the description to determine whether the images are Actual Photos or Photos Not Actual. New records will likely use generic web photos to represent the product.

Condition Ratings

  • MINT (M): Perfect, brand new, unplayed.
  • Near Mint (NM): Like new, barely played, will play perfectly.
  • Excellent (EX): Very close to near mint, with minor cosmetic wear. Will play perfectly.
  • Very Good Plus (VG+): Light cosmetic blemishes that do not affect play. Close to perfect playback.
  • Very Good (VG): Some light marks that may cause minor noise during playback. Still enjoyable and plays well.
  • Good Plus (G+): Noticeable noise during playback. Only listed if of collector value. Not ideal for listening.

Sleeve Details

  • PHOTOS ACTUAL: The photo is an original image of the exact item you will receive.
  • PHOTOS NOT ACTUAL: The photo is sourced from the web and may differ slightly from the actual item.
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