Trent Reznor / Atticus Ross Gone Girl (2LP 180g Soundtrack) 2xLP Mint (M) Mint (M)

BRAND NEW

Label:    Columbia – 88875 02953 1
Format:    2 x Vinyl, LP, Album, 180g
Country:    US
Released:    2015
Genre:    Electronic, Stage & Screen
Style:    Dark Ambient, Soundtrack

A1        What Have We Done To Each Other?    2:30
A2        Sugar Storm    2:53
A3        Empty Places    2:46
A4        With Suspicion    3:16
A5        Just Like You    4:11
A6        Appearances    2:52
A7        Clue One    1:30
B1        Clue Two    5:10
B2        Background Noise    3:09
B3        Procedural    4:30
B4        Something Disposable    4:28
B5        Like Home    3:39
C1        Empty Places (Reprise)    2:20
C2        The Way He Looks At Me    3:27
C3        Technically, Missing    6:43
C4        Secrets    3:08
C5        Perpetual    4:00
C6        Strange Activities    2:37
D1        Still Gone    2:47
D2        A Reflection    1:46
D3        Consummation    4:09
D4        Sugar Storm (Reprise)    0:41
D5        What Will We Do?    3:05
D6        At Risk    11:07

Phonographic Copyright ℗ – Twentieth Century Fox Film Corporation
Copyright © – Twentieth Century Fox Film Corporation
Published By – TCF Music Publishing, Inc.
Published By – New Regency Music, Inc
Published By – Fox Film Music Corp.
Published By – New Enterprises Music, Inc.
Recorded At – 20th Century Fox Post Production Services
Mastered At – Baker Mastering
Lacquer Cut At – Bernie Grundman Mastering
Manufactured By – Columbia Records
Distributed By – Columbia Records
Manufactured By – Pallas USA
Pressed By – Schallplattenfabrik Pallas GmbH – 34013
Pressed By – Schallplattenfabrik Pallas GmbH – 34014
Bass – Bruce Morgenthaler, Christian Kollgaard, Ed Meares*, Geoffrey Osika*, Oscar Hidalgo, Stephen Dress*
Bassoon – Damian Montano, Rose Corrigan
Cello – Dennis Karmazyn, George Kim Scholes, Giovanna Clayton*, Jacob Braun, Steve Erdody, Trevor Handy, Vanessa Freebairn-Smith, Xiaodan Zheng
Clarinet – Donald Foster*, Stuart Clark
Composed By, Arranged By, Programmed By, Producer, Music By – Atticus Ross, Trent Reznor
Conductor – Brad Warnaar
Contractor [Orchestra] – Peter Rotter
Engineer – Christopher Holmes, Dustin Mosley, Jun Murakawa
Engineer [Digital Score Recordist] – Kevin Globerman
Engineer [Stage] – Denis St. Amand
Executive-Producer [Executive In Charge Of Music For Twentieth Century Fox] – Danielle Diego
Flute – Geri Rotella*, Heather Clark
Graphic Design – Neil Kellerhouse
Guitar – Michael Garson*
Harp – Jo Ann Turovsky
Lacquer Cut By – CB*
Layout – Rob Sheridan (2)
Mastered By – Tom Baker (3)
Mixed By [Assistant] – Caesar Edmunds
Mixed By [Engineer] – Alan Moulder
Mixed By [Orchestra] – Geoff Foster
Orchestrated By – Dana Niu
Percussion – Wade Culbreath
Piano – Mike Garson
Recorded By [Orchestra] – Geoff Foster
Recorded By [Stage] – Tim Lauber
Stage Manager – David Marquette, Tom Steel
Supervised By [Music Production Supervised For Twentieth Century Fox] – Rebecca Morellato
Supervised By [Music Supervised For Twentieth Century Fox] – Patrick Houlihan
Trombone – Alex Iles, Bill Reichenbach (2)
Trumpet – Barry Perkins (2), David Washburn, Jon Lewis
Tuba – Doug Tornquist
Viola – Alma Fernandez, Brian Dembow, Darrin McCann, David Walther, Jeanie Lim, Laura Pearson (2), Matt Funes, Robert Brophy, Shawn Mann, Thomas Diener
Violin – Amy Hershberger, Ben Powell (5), Bruce Dukov, Charlie Bisharat, Helen Nightengale, Irina Voloshina, Kevin Connolly, Lisa Liu, Lisa Sutton, Lorand Lokuszta, Natalie Leggett, Neil Samples, Nina Evtuhov, Phillip Levy, Radu Pieptea, Rafael Rishik, Roberto Cani, Roger Wilkie, Sara Parkins, Sarah Thornblade, Shalini Vijayan, Songa Lee, Tamara Hatwan, Tereza Stanislav
Released in gatefold sleeve with digital download card.

D6 actually runs at 6:24 followed by 3 minutes of silence, then a hidden track - a reprise of D3, "Consummation".

Recorded at 20th Century Fox, Post Production Services.
Mastered at Baker Mastering, Calabasas, CA.

Music Preparation: Eric Stonerook Music
Business Affairs for Twentieth Century Fox: Tom Cavanaugh.
Music Clearance for Twentieth Century Fox: Ellen Ginsburg.
Music Managed for Twentieth Century Fox: Areli Quirarte.

Motion picture artwork, photos, and Fox trademarks and logos TM and © 2015 & ℗ 2014 Twentieth Century Fox Film Corporation.

Original film score published by T C F Music Publishing, Inc. and New Regency Music, Inc. (ASCAP) / Fox Film Music Corp. and New Enterprises Music, Inc. (BMI).
Barcode (Text): 8 8875- 02953- 1 6
Barcode (Scanned): 888750295316

Trent Reznor and Atticus Ross bring even more depth to their collaboration with their score for David Fincher's Gone Girl. This is some of the most disturbing music of Reznor's career, which is saying something -- and all the more impressive considering it's part of a film with such mainstream appeal. Their music for Fincher's adaptation of Gillian Flynn's best-selling novel explores a relationship gone horribly wrong, subject matter that allows the duo to take a more emotive approach than they did on either The Social Network or The Girl with the Dragon Tattoo. They express the story's domestic dysfunction and emotional corruption via chilly detachment, saccharine veneers, and fraying tension. Aloof pieces like "Clue One" and "Perpetual" recall the pair's previous scores, but many of these tracks deliver more nuance. "Empty Places" hones its strings to knife-like points, while "Procedural"'s throbbing arpeggios evoke John Carpenter and Oneohtrix Point Never. Meanwhile, the deceptively smooth "Appearances" and "Sugar Storm" add a poisonous sweetness that is complicated by "Just Like You," a delicate piano piece that teeters between genuine and contrived romance. Elsewhere, the unease that suffuses all of Gone Girl surfaces on cues like "Something Disposable" and "Secrets," where distortion gnaws at the tracks' foundations. Ross and Reznor aren't afraid of turning up the volume to suffocating levels on the terrifying "Consummation," which creeps up on listeners and smothers them with seething strings and electronics (and is a testament to the album's masterfully unsettling sound design). Gone Girl is all the more fascinating when its motifs start bleeding into each other. "Like Home"'s glowing synths exude a scented candle coziness that soon becomes toxic; "The Way He Looks at Me" devolves into ugly sputtering somewhere between demonic possession and malfunctioning machinery; and "Technically, Missing" unites precise electronics and glowering guitars into something subtly but relentlessly diabolical. These complicated combinations of sounds and feelings suggest that Reznor and Ross are nearly as skilled at emotional manipulation as the film's characters, and Gone Girl's ambiguity and dread make it their most haunting work yet. ~ Heather Phares

• Media Condition: Mint (M)
• Released: 01/20/2015
• Genre: Soundtracks
• Format: Vinyl
• Sleeve Condition: Mint (M)
• Format Type: 2xLP